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1516 CST Belmont Brown/Red Line Platform
24 of 3610 “Helter Skelter” by The Beatles
- Man in front of me's profile looks alarmingly like Tom Cruise's. Careful study reveals Cruise/Cruise look-a-like is a nose-picker … very interesting.
- If Charles Manson stole this song from the Beatles, & U2 stole it back, can U2 also steal back all those Beatles songs Michael Jackson bought the rights to?
- Cruise look-a-like taller than me (> 6'1”). Joined by a Young Peter Gallagher look-a-like. Plans begin to form to make a killing from a sex video w/a homemade gay celebrity that confirms rumors of Cruise's secret sexual predilection.
- Is it strange that I'm starting to look @ fellow passengers and speculate on what their Sims stat-lines would look like? 25 of 3610 “Bathtub” by Snoop Dogg
- Track begins with Snoop chilling in bathtub with ho. Doorbell rings. Ho opens door, dozens of partygoers stream in. Audio mix suggests that Snoop's bathtub is located right in living room next to the front door. Snoop reveals in heart-to-heart convo. with man ID'd as “G Dogg” that entourage's encroachments on his privacy/bathing forcing him to consider getting “up off this game.” G. Dogg strongly advises Snoop to reconsider. G. Dogg and Snoop must be incredibly close: nothing in the sound mix suggests that Snoop has gotten up out of the tub yet. The convo is eventually cut short by G. Dogg's insecurity over a drug deal.
- Totally engrossed in Snoop's narrative, I barely notice the statuesque Asian twins boarding my S-bound Red Line train car. Sexual tension upgraded from “simmering” to “crackling” as they cement Belmont 's Brown/Red Line platform rep as Chicago 's Best-Looking El Stop. 26 of 3610 “Gene by Gene” by Blur
- Blur samples creaking bed strings as rhythm section for song. Remember reading about an album a guy was making that consisted solely of sampled sounds of he and his gf having sex. Wish I could remember his name & what the pic of his gf looked like.
- Mustache coming loose.
- Sneaking suspicion that 21st century Earth = postmodern landscape of corporately co-opted signifiers and inwardly spiraling self-referentialism tickling back of my head once again. You guys get this feeling all the time too, right? |
